A trope is a storyline that can be applied over and over again. So the hero off on a quest or the girl left at home to whom he will return are two tropes or part of the same one, this one as old as Homer, in the case of the Odyssey, the girl not being a young thing but his long separated wife. One things learned from studying literature is not to be caught up in tropes that seem to be the common wisdom when all they are are ways of imagining a situation that excludes other ways of doing so. If I, myself, have made a contribution to the #metoo debate in this blog, it is that the trope of males being obnoxiously aggressive is not the only way to imagine the interaction between employers and employees, however much that may be an accurate way of describing Hollywood and its casting couch culture. I remember a time when the organizing principle for interpreting the relation between men and women was romantic, men and woman sparring with one another until they engaged in a clinch and a kiss, the aggressive bully an exception rather than what is always to be looked out for. Better to think of Beatrice and Benedict or Tom Hanks and Meg Ryan than of Harvey Weinstein.

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