Hillary's Character

After reading her book, “What Happened”, I like Hillary less well than I did before I read the book. I know she is letting her hair down, and someone may not be at their most attractive when they do that, but the character she reveals is not all that admirable, for all that she claims that her’s is. Maybe it is just that she is not a gifted writer and so not used to trying to craft insights into a situation rather than relate platitudes so as to sum up a feeling that is more complex than that or else provide an analysis somewhat more worthy than is a two page policy memo at the White House. She is not good at supplying a rumination on the meaning of it all, and that is true of most politicians when they turn to writing, barring such exceptional people as Churchill, who deserved his Nobel Prize for Literature, and Obama, who may not have deserved his Nobel Prize for Peace. Of course, I still would have voted for Clinton to be President. I think she would have been a steady hand at the wheel, right on most issues, though wrong on some, such as feminism and education, and her opponent was likely to become the worst President in American history (he hasn’t started a war yet, but he has been demeaning and besmirching the United States for nine months now), but I do not hold her solely or even largely accountable for her defeat, as some of her detractors do, they continuing to underestimate the ability of the very unqualified Donald Trump to lather up a crowd and get voters to act on the basis of their anger rather than their interests. I blame instead those people who voted for Trump, they fully knowing what he was like because he did not hide what he was. You got what you voted for. So I will take stock of Hillary, and I know she has heard far worse.

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Natural Disposition

What is the natural disposition of mankind? That is to ask what are the basic emotions that make people recognizable to one another and not the ones added on by the veneer of civilization. What, in a word, are our “true” or “truest” emotions? The great psychologist-philosophers all tried to answer this question. Aristotle thought there was a very long list of standard emotions. Hobbes thought that there was an evolution of emotions from the most simple to the most complex, the key being when people learned or came to think in practical terms. Spinoza thought that emotions changed into one another, as when love turned to hate, and dispensed with Aristotle’s notion that there was a Golden Mean, whereby the best emotions were the ones between their extreme versions. Another way to answer the question, rather than to arrange a gigantic table of emotions, is to look at the actual history of mankind so as to see what emotions were exhibited by primitive, and so presumably more natural people. Durkheim looked at Australian Aborigines and concluded, based on their funeral practices, that the most basic feeling of humanity was reverence for the ongoing community. Australian Aborigines are about as primitive as you can get on the ladder of cultural evolution. In his book “A Commonwealth of Thieves”, Thomas Kennelly supplies us with portraits of a few of the Aborigines encountered by the early English settlers in Australia, and so let us consider what Kennelly tells us about people in their full naturalness, though the consideration of different Aborigines might offer different readings. We should remember, however, that we often use people who seem lacking and insufficient in some way or another even if they are singular to tell us all kinds of things about the general human condition. Helen Keller showed that people bereft of sight and hearing could still think and Ishi and the wild boy of Avignon showed us how children raised in isolation were limited as human beings.

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On Being Late

Being a combination of the sociology of everyday life and the history of ideas.

Getting places on time is a ubiquitous feature of modern everyday life. The first ads for cell phones said the devices were useful for making contact with people who might be waiting for you on the wrong corner or for when you might be a little late. Other uses were secondary or came later. We train our children to be on time because not to be indicates a slovenliness of character and inconsideration towards others. Kids learn, train themselves, to be on time, and schools and dates require it of them and so will their future employers. How did this become the case? David Landes, that very distinguished economic historian, suggests that the clockmakers of early modern Switzerland set a revolution in motion when they perfected their instruments so that all of Europe and what would become the civilized world could go by the clock. People who did not catch on to that, who practiced a “manana” mentality, or what I remember being referred to as “Jewish time” because it referenced recently arrived immigrants, were just not suited to the modern world of enterprise and personal advancement. They were like children. 

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Cultural Moments, Cultural Amnesia

Before going on to discuss the present cultural moment, the Age of Trump, let us get straight the definition of the concept of cultural moment.

A cultural moment is the period of duration of a uniform set of preoccupations, emotions and meanings within a community. It consists of the things that people regularly allude to in their thoughts and their talk regardless of what is happening in their personal or work lives. These topics, feelings and images seem to the people of the community to be inevitable references and so not require people to explain why they are so preoccupied. A war, such as World War II, is a public event which defined a cultural moment that lasted from Pearl Harbor to past V-J Day. There may be overlapping events which are fads of the period, that associated with the moment. For World War II, that included swing music and Bond Drives and rationing. There also can be remainders of previous moments that conflict with the prevailing cultural moment but appear to be as such because they are allusions to alternative moments of public consciousness. Labor conflict, a theme from the Thirties, could not hold its own as a legitimate context of experience during the World War II culture, as John L. Lewis found out when public support for strikes disappeared in the context of war production patriotism.

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Political Rudeness

Political rudeness occurs when people in the political arena (and that includes the press) do something that is embarrassing because it violates the customs of politics insofar as those customs are essential to carrying on democratic politics, and so is different from the rudeness that occurs in everyday life whereby people who are rude violate customs of etiquette, such as by making a pass at a friend’s wife, or not tipping the waiter, which allow ordinary social life to be stable and mutually satisfying. An example of political rudeness is Eisenhower showing up late at the White House to pick up Truman to go to the Eisenhower Inauguration. Truman properly interpreted that as an insult to the Presidency while Eisenhower simply saw it as an expression of his distaste for a person he thought to be a political hack, while seeing himself as a noble figure, forgetting that he had been ever so political when he refused to defend General of the Armies George Marshall, the man who made him, on the campaign trail just months before, when Joe McCarthy had called Marshall “a disgrace to his uniform”. Who was the person up to his eyebrows in politics?

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Social Distance

Social distance is a sociological concept that I will define as describing the differences between people that arises out of them having different ways of life resulting from their differing social classes. As a metaphor, it provides a sense of how social separation is like geographical separation, and that sometimes applies to sociological social distance, as when the poor live in the hills while the rich live in the flats, as occurs in Rio de Janeiro, or visa versa, where the rich live in the hills while the less affluent live on the flats, as occurs in Berkeley, California. Mostly, though, social isolation is a matter of people feeling comfortable or uncomfortable with one another (which comes close to the way Bogardus defines the concept) because of what they give off to one another about the way they lead their lives, as when people use more high faulting language than is part of common discourse in the community, or when people carry expensive accessories, real Gucci bags rather than knockoffs. Some people can tell the difference while others are just baffled. People who follow prize fights are likely not the swells who dressed up to go to championship fights, while it is noticeable that baseball is a sport that appeals across class barriers. Social distance is, I would  say, more significant and subtle than the bi-polar or multi-polar social divisions, like gender and race, that  have been the focus of attention for the past few generations, and which are noteworthy because they are largely overt, people classified clearly as of one or another kind, white or black or brown, or male and female, with a great deal of attention paid to those who fall in the middle, quadroons in an earlier time, transgender people nowadays. People fight for their classifications within and fight against those groups external to them in those dimensions of social life, some even holding out the hope of a time which  is post-racial and, maybe, sometime way off in the future, post-gender, in that people will be polymorphous in choosing sex partners. Social distance is not like that because people may not be aware of where they belong or the extent to which they belong to one social class or another and experience their membership within their social class as not anything noteworthy but only as the way they tend to be, the path of least resistance for habits, beliefs, accoutrements, language, and so forth. To borrow Erving Goffman’s term, people "give off" their social class, emit it, through their behaviors, rather than treat social class as a creed, even if ideologists of class may want people to become more self-conscious of their class and act in the interests of their class, just as some, and only some, Black men and women of the Thirties were known as “race people” because of their self-conscious adoption of race as the explanation of the social condition of Black people. Much more has to be said about social distance to restore it to its importance for the explanation of social life.

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The Audience Is In Charge

There is something mysterious, peculiar and profound about the existential relationship between audiences for art, literature, music, theatre and also the modern media of television and movies, and the objects of their attention. Critics from Aristotle to Northrope Frye have tried to turn the arts into the subject of a scientific discipline, and to my mind have been largely successful. You know how to evaluate a play or a novel because you have learned the type of thing it is and so apply the relevant criteria. Shakespeare does tragedies and he also does problem plays and you are simply mistaken if you expect to get the same thing out of both. That is what a scientist does. But people resist this impulse, if that is what it is rather than a wrongheaded attempt to make art into something that is not. Rather, what people do is evaluate first and then find reasons to back up their judgments. You think of Romeo and Juliet as a gushy teenage romance and then you find things in the plot or the poetry to back that up and simply decide not to notice or just fail to notice the dark side of the play: that these teenagers are obsessed with one another to the point of suicide. You don’t like Jane Austen because you think she repeats herself in every book when in fact she tells a different story and evokes different emotions in every novel, all in the service of her overall plot form, which is how a woman finds a suitable husband, the mystery being to discover what makes him suitable for her. It isn’t that a more callow interpretation is so much wrong, “interpretation” the right word to describe the way a reader makes sense of a book, as it is that a callow interpretation is a premature judgment that can be changed when a person gives a more sophisticated judgment to bear and so can more clearly see a book for what it is. The wise come around to Jane Austen; the rest never do, even if they are enchanted by Regency manners and the Regency setting. How does this world work, in which the audience’s prejudices and perhaps callow judgments take precedence over what is actually there, on the stage or in the text? How is it that we learn from literature by imposing our will on it rather than being its students?

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Trump's Tirades

So many people tell me that the country is in terrible shape. They point to Trump’s tirades, which are indeed pretty terrible, but which are also largely inconsequential. The economy is doing fine, though we have not figured out a way to deal with the declining wages of larger and larger parts of the work force, a situation which has spread all the way up to the salaried professionals, and we do not know how to do away with the educational gap between people of color and whites and Asians, the latest New York test scores showing that about sixty percent of Asians and whites score at grade level in reading and math while about twenty percent of African Americans and Hispanics score at grade level. But these are deep problems of social structure that must await a truly progressive administration to be addressed, while the problems that immediately confront this administration are going just fine. North Korea has quieted down and Rachel Maddow may be correct in thinking that the whole brouhaha was cooked up by trump to shift attention away from his own troubles, which is the Russia investigation and also the fact that Congress will not give him what he wants, which is his wall and an end to the Russia investigation. We have ceded Syria to the Russians while taking out ISIS by ourselves and with Kurd and Iraqi and Iranian help; Putin has got what he wanted of Ukraine and is unlikely to push farther, knowing that our tainted President is not in any position to do him favors. Even climate issues are going the Progressive way, whatever Trump’s view of the Paris accords, because California and various corporations are going ahead with forging their own policies on carbon emissions. Greening America is too good a business for it to stop happening. Yes, Trump claims he will bring back coal, but he won’t, just as he claims he will build a wall, which he won’t because even a Texas Republican congressman can see that a technical fence is more effective and much cheaper than a concrete one. The wall is just a slogan that appeals to Trump’s very limited imagination, and so let us turn to the issues that have occupied the media in the past few weeks to get them through the summer doldrums of Congress being out of session.

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Jerry Lewis' Telethon

Jerry Lewis died just a few days ago at the age of 91. His obituaries focussed on his accomplishments as a film director after he broke up with Dean Martin. Like many others who follow movies, I regard all of his post Dean Martin movies as unwatchable rather than just merely bad, whatever it is that the French may think of Lewis as a filmmaker. To me, Jerry Lewis’ main accomplishment was as producer and star of the Muscular Dystrophy Telethons, a format for raising money for charity that he raised to being a kind of performance art. Let’s treat the genre of the Telethon as something worthwhile in itself.

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Reparations & Affirmative Action

Reparations are payments to survivors of atrocities or the group which suffered the atrocities as an acknowledgment of guilt and as an attempt to right at least part of the wrong. They are not a bad idea. Germany paid reparations to individual Jews and also to the newly found state of Israel to atone for the Holocaust. The money to Israel was blood money in the sense that millions of people had to die to get it but Israel accepted it anyway because they needed it at the time and because it proved the basis for what is now a long standing alliance between the two countries, the whole world having recognized the reality of Germany having overcome its past through acts such as this. Now we are in the midst of a new round of talks about reparations to African Americans for slavery. The difference here is that there are no actual survivors to whom to write checks and that the problems of African Americans in current American society are not of the sort that are solved by writing checks, even if lawyers are willing to monetize every damage. How much to a sixth generation survivor? How much to a ghetto crack addict? How much to the institutions, like education and health, that would help alleviate black poverty? Let us parse this question more carefully before arriving at a conclusion.

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Are Ambrose Bierce Stories Stories?

It is very difficult to figure out what makes a narrative, which is the telling of a sequence of events, into a story, which is a narrative shaped well enough to have a development and a point. Chronicles or lists of successive kings is a narrative that can become a story when filled out with anecdotes and contrasts. The best description of what a story is remains the one provided by Aristotle, who said that a story has a beginning, a middle and an end, but that is unsatisfactory as a definition because it doesn’t tell what are the minimum criteria for any of those three elements. Try to construct a minimal story and you wind up nowhere. Is the following sentence a story: “A robin fell out of a tree and died”? The robin in the tree was the beginning, otherwise known as the setting; falling out of the tree was the middle or the event of the story; and the robin’s death was the outcome caused by or juxtaposed with the event, and so the end of the story. But it is not much of a story. There is no point to it, no conflict, no twist whereby the middle and the end play off against the setting and one another. “Hamlet” is a story because a prince undertakes to overthrow a king and is foiled in his attempt perhaps because of circumstances and perhaps because of his own misgivings about himself, his setting, and his antagonists, about who is a friend and who is a foe. Now that is quite a story. Perhaps one way to deal with the question of what a story is is to look at a well respected writer who barely if at all writes stories that qualify as stories. Ambrose Bierce was a very popular writer during the Nineteenth Century, though little read now, except for his not quite story “Incident at Owl Creek” of which I will not give away the punchline because that is all there is to making it a story. Bierce was very good at sentences and had wit, and that is what carries him through, but are his stories stories or are they merely sketches, descriptions, that don’t add up to being any more than that? Let’s see.

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The Fifties

Cultural commentators try to define the culture of a decade by finding themes that distinguish it from the decade before and the decade after, and so are distracted from taking note of the long term trends that develop across decades. So the Seventies are the era of Disco and high heel shoes for men and John Travolta in “Saturday Night Fever”, that different from the more radical Sixties, or the computer revolution of the Eighties. As such, labelling decades by their themes is an exercise in nostalgia: a way to recall somewhat faded memories of what it was like to go to your Senior Prom. It might be better to label decades by those who occupied high office. The Nineties were the Clinton Years, and that meant both temporizing social policy and dealing with Monica Lewinsky and moving the boundaries of Europe to the Russian border. But the usefulness of giving themes to decades is that it allows the commentator to see the decade as negating what had come before. The Great Depression of the Thirties abolished the Flapper Era, even if major union organizing, such as in the garment industries, had gone on during the Twenties; the Forties banished the Great Depression, the United States winning a great war and entering a period of unparalleled prosperity, even though that decade saw only the start of the movement to get rid of Jim Crow. Sometimes this labelling process can mean thinking one decade reverses the themes of the previous decade, and that can be very misleading, as I think is the case when the Sixties is seen as setting right everything that was wrong about the Fifties, that much maligned decade that came before the revolutionary era of the Sixties. I went to high school and college during the Fifties, and so I want to set the record straight.

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Existentialism: An Adolescent Hangup

I recently attended a session of a book club whose members are well educated doctors who read everything from Thomas Mann to recent ethnicity centered novels. The book up for discussion was Sarah Bakewell’s “At the Existentialist Cafe”, which tries to pull off the neat trick of being a non-academic history of existentialism. The book focuses more on the lives of the Existentialists than on their various doctrines, the book providing adequate but hardly inspired summaries of those doctrines, ones that are clear enough for this intelligent audience to pick up what they were about. What became clear during the discussion of the book was that the group had no handle on, no feel for, the issues that animated the Existentialists or the solutions they proposed to deal with fundamental issues of human existence, both metaphysical and moral. The session reminded me of how dead Existentialism was as a movement; it has no appeal even though it was so popular in its time, which was also the time when I was an undergraduate and much taken with it. Life Magazine, that emissary of high culture into working class life, covered coffee tables around the country with an issue showing black stockinged rail thin girls at a coffee shop in Paris parading around as Existentialists. What had been attractive about this philosophical movement that made it a cultural rage in the post-war era, a rage that died out by the Seventies? So I try to resurrect what it meant to me.

 

The Atheistic Existentialism, which is what the philosophers and intellectual historians call it, seemed to me to be a kind of liberation, though some of its roots did not seem very promising because they were about the limitlessness and priority of authority over all forms of freedom.  Soren Kierkegaard recognized the inevitability of choice as a characteristic of the human condition, even though he always opted for the choice preferred by God, the ultimate authority, as when Kierkegaard thought it right that Abraham was willing to sacrifice his son if God wanted him to. Dostoevsky recognized that the human condition produced murderers and saints and revolutionaries and the paradoxical fact that the church, established to rule by love, was also the great enforcer of morality.  

What the Atheistic Existentialists did was take God out of this description and so leave the universe raw and bare with respect both to metaphysics and morality. Jean Paul Sartre, who was the most prominent of the Atheist Existentialists, never mind his German forebearers, gave a vivid description of this point of view about metaphysics in his novel “Nausea”. He describes a tree which is shorn of its category of being a tree and so standing in front of him as this gnarled, strange object, something out of dreams and nightmares. So seeing the world truly is to appreciate the experience of objects prior to them being enclosed in their categories, and there is much to be said for this point of view because it opens up the world to a wholly fresh kind of description, in which one can luxuriate in one’s perceptiveness, so that one can feel the “isness” of being rather than just rationalize about it. Sartre’s magnum opus, “Being and Nothingness”, published in 1938, the same year as “Nausea”, confronts us with a sense of the chasm, the void, of emptiness that precedes the filling up of that void with shape and choice and events. St. Augustine had also wondered what the void was like before creation, but even he was not as vivid as Sartre in giving his readers a feel for the absolute negativity of that state. Most philosophers seem superficial for not invoking that preternatural realm.

 

The liberation from conventional metaphysics, the metaphysics of the already created world of species and categories, also applies to morality, which is also no longer bound by the laws and maxims that guide most of human behavior. Sartre wrote an influential essay in the late Forties entitled “Existentialism is a Humanism” in which he cited his advice to a young man considering joining the Resistance who was worried about who would care for his elderly mother. Sartre said the young man should make the choice and that then the reasons for it would come into focus. You choose first and moralize later. This seemed very brave, launching each of us into a tragic drama every time a significant choice was made, each of us a warrior in that every choice is right even if people disparage it. Every choice is the source of a new wisdom. Did those who betrayed their friends before the House Un American Activities Committee engage in a new form of bravery? Is the adulterer who leaves his wife more courageous than the one who tries to repair the damage already done? There is no answer because there is no moral standard against which to measure the behavior. We have all gone beyond good and evil, just as Nietzsche predicted would happen.

 

But to engage in Sartre’s rhapsody is to beg the question. Is the young man, in that moment of decision, envisioning his mother’s aged face? Or is he contemplating a future in which he might be captured, tortured, and then put to death? Morality is made by consulting the past and the future, not just the knife edge of the present moment. A decision, whether impulsive or not, reflects on whether it is consistent or inconsistent with a person’s past character or what kind of person he or she wants to be. Wherever moral categories come from, whether they are found through faith in God or extrapolated from the nature of human interaction, one uses them. And the same is true of existence itself. To borrow Spinoza’s distinction, there is the world of ideas and there is the world of extension. Both are real, in their fashion, and you can’t do without either of them. To see a tree is to see the form of the tree as well as its content, its matter. To deny that is merely rhetorical.

 

And, indeed, Sartre, in the long run, proved longer on rhetoric than on a consistent standard of analysis. He became a Stalinist in the Sixties so as to pick sides between the Anglo American and the Soviet world. He said in 1960 in “Critique of Dialectical Reason” (which I did not read until a few years later) that he had neglected the social side of things in his earlier work. I found this, at the time, astonishing. Was he really saying that stripping down the human condition to its basic fundamentals, shorn of class and caste, down to what every person, slave and aristocrat, young and old, had in common because of their humanity, had just been a mistake? That confession on his part punctured any still remaining pleasure I took from his system because I did know something about the struggles of groups against one another and that did not invalidate a quest to find out fundamental things. I would not be taken in by Sartre’s new rhetorical turn and what shadow that cast on his prior clarity.

 

I think that what I felt was part of the general cultural rejection of Existentialism during the Sixties. There were other fish to fry. There was the Civil Rights Movement and the Peace Movement (both against the Vietnam War and the ever impending nuclear Apocalypse). These were about politics, pure and simple. The ideology that became important on the Left was that of Herbert Marcuse, whose disdain for both consumerism and Stalinism I, for my part, also found to be rhetorical. Marcuse’s was cavalier in his rejection of Bill of Rights protections for free speech and he made it seem that Madison Avenue was more a danger to America than what Michael Harrington at the time called “the invisible poor”: the whites of Appalachia and the Blacks of the urban ghettos and the Deep South. I was a Franklin Roosevelt New Dealer, which is something I still remain. Bah and humbug to those who do not want to fashion programs to help the poor and other downtrodden. And as for metaphysics? All its problems are reducible to those of social structure, whose character can be read in Shakespeare and Jane Austen and in sociologists too numerous to mention. Existentialism, in a word, is an adolescent hangup.

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Foundation Stories

Every modern nation has a foundation story, based in history and social structure as well as in fable, that is used to explain the origins of that particular nation and thereby their distinctiveness. Foundation stories, varied as they are, are cultural creations based on historical and social structural circumstances, often tell something very true and abiding about a society--but not always, as we shall see in the case of Australia.

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Blame

Everybody blames everybody for everything. Lovers blame one another when they break up; insurance companies affix blame so as to determine how much they will have to lay out; tradesmen are blamed for not having fixed the air conditioner properly. Presidents get blamed if the economy tanks. When something goes wrong, someone gets blamed. Doing so goes back to the Old Testament, but the New Testament was particularly good at making blame incapacitating. We are all to be blamed for everything because we inherited Original Sin from the fact that Adam and Eve disobeyed God and ate from the Tree of Knowledge. Ever since, all we can do is atone for that, first by accepting Jesus as our savior and then by beating our chests to proclaim our shortcomings as people. So blame eats at us. Is there any way to be rid of it?

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Democratic Institutions

Three institutional problems of representative democracies.

Max Weber in his classic essay of 1919, “Politics as a Vocation”, identified one of the problems that crop up in the cluster of institutions that make up representative democracy. He was concerned about the outlook of politicians who hold office in a democratic legislature, Germany having had a representative legislature ever since the establishment of the Second Reich in 1870, even if controlled only domestic policy and not foreign policy. Weber said that there were professional and amateur politicians. What he meant by that were that professional politicians wanted to remain in office and so were used to the give and take of legislative negotiations while amateur politicians were interested in their causes and so stood by their principles for however long they were in office. Weber clearly preferred the professionals and would see no reason to change his mind if he could see American politics today: the Tea Party and Freedom Caucus stalwarts more interested in their principles than what is actually accomplished, confident that their base will re-elect them for their principles alone. Senator McCain was invoking the Weber distinction yesterday when he said that there was a conflict between passion and reason, meaning by that that the passionate advocates of repeal and maybe not replace Obamacare were responding to their principles, their sentiments, rather than to doing something reasonable and workable. There are other difficulties in representative democracy that have become clear since Weber and that can also be illustrated with current political events.

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Immigrant Rage

A standard psychological theory of rage and anger is that it is a response to frustration at having been denied something that is very important to well being. The rage of Achilles arose because he had been denied his trophy, Brisias, which was an insult to him as a warrior, and so he raged and sulked in his tent, and the outcome of that classic legend was that his best friend was killed in battle. Rage leads to bad things and so we should do something to deal with its causes. Freud, of course, had a very different view of the matter. What happened to people when they did not get what they felt entitled to because they are drawn to it is that they became fearful of those who were enforcing the frustration, and so they turn upon themselves rather than lash out at people. Let us try to sort out the dynamics of rage by looking at both fictional and real life, large scale examples of the phenomenon: what happens to immigrants when they come to this country.

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Political Update

My prediction of a few months ago that nothing much was going to happen in Washington until Mueller released his report is holding up however much cable news and national newspapers continue to press the stories of Congressional attempts at legislation and the Russia scandal. You can demonstrate the fact that nothing is happening by consulting the local tabloids. They have pushed those stories off the front page. The Daily News today had on its front page O. J. Simpson’s bail hearing, which is soon to come up. Now that is a blast from the past. But there is still the need to clear out the underbrush created by cable news and national newspapers.My prediction of a few months ago that nothing much was going to happen in Washington until Mueller released his report is holding up however much cable news and national newspapers continue to press the stories of Congressional attempts at legislation and the Russia scandal. You can the true fact that nothing is happening because the local tabloids have pushed those stories off the front page. The Daily News today had on its front page O. J. Simpson’s bail hearing, which is soon to come up. Now that is a blast from the past. But there is still the need to clear out the underbrush created by cable news and national newspapers.

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Gunk Literature

Literature is wonderful even when it does not nearly qualify as literature, at least according to the standards of most literary critics and most viewers, playgoers, or readers. But even then it can be gripping and so one has to turn to that great scientist of criticism, Aristotle, putting aside judgment so as to establish what is going on with this particular piece of junk that goes through the moves of being a narrative and so has to be understood as such, according to the elements of narrative first so elegantly laid out by Aristotle, who is the first and best of the Formalist critics, meaning by that the one who describes the mechanics through which a piece of literature or potential piece of literature creates its effects. I want to use as a case study a television series, “Grey's Anatomy”, which I have been binge watching over the past three days. I have clocked over fifty episodes, which means over 33 hours of viewing, which is enough time in which to read half a dozen major Shakespearean plays, though those are so taxing that one would have to slow down rather than switch to the next episode of an evening soap opera as quickly as the prior one ends. You have to concentrate more to get Shakespeare’s plot much less the complexity of the emotions he is depicting. I have gone through the binge process with other series. I watched what may well be the best television series ever, “The West Wing”, episode by episode, which means less than an hour a week, when it first came out, and then, years later, when discs became available, i watched the whole thing through, all six years of it, and thought it better than ever, its last season a spectacular prediction of a President who was a man of color running against a McCain type. But “Grey’s Anatomy” doesn’t come even close to that standard, and so I have to inquire carefully about what makes it gripping by coming up with Aristotle-like categories.

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First World Colonialism & Cultural Rebellion

We continue to understand colonialism in a nineteenth century way. We imagine it as economically advanced European Countries and the United States exerting economic, military, social and cultural influence over peoples in Latin America and Africa who are intimidated by the rifles and the religion of the dominating country, that applying even to China, which had been in decline, though no one knew how badly until their defeat in the Opium War which opened them up to granting even more foreign concessions. The economically advanced countries could think of themselves as carrying out the White Man’s Burden of bringing civilization to places whose own cultures and economies were backward or had deteriorated to the point that they could no longer be responsible for their own welfare. Ex-colonies are still in the process of getting over the time they were occupied by developing economies that allow for them to be independant and build a culture which produces a literature that looks to themselves rather than, let us say, to English models. But that is not what colonialism meant before the Nineteenth Century. The Low Countries, in the Fifteenth Century, became an appendage of Spain through dynastic inheritance, but when the new government arrived to take over, the Spaniards marvelled at the material wealth of the Lowlanders. Spain might occupy the land but the people did not need Spain’s culture or economic support. The same could be said of that other about to become new nation, the English colonies on the east coast of North America. Let us illustrate that fact and spell out its consequences.

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