Jerry Lewis' Telethon

Jerry Lewis died just a few days ago at the age of 91. His obituaries focussed on his accomplishments as a film director after he broke up with Dean Martin. Like many others who follow movies, I regard all of his post Dean Martin movies as unwatchable rather than just merely bad, whatever it is that the French may think of Lewis as a filmmaker. To me, Jerry Lewis’ main accomplishment was as producer and star of the Muscular Dystrophy Telethons, a format for raising money for charity that he raised to being a kind of performance art. Let’s treat the genre of the Telethon as something worthwhile in itself.

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Reparations & Affirmative Action

Reparations are payments to survivors of atrocities or the group which suffered the atrocities as an acknowledgment of guilt and as an attempt to right at least part of the wrong. They are not a bad idea. Germany paid reparations to individual Jews and also to the newly found state of Israel to atone for the Holocaust. The money to Israel was blood money in the sense that millions of people had to die to get it but Israel accepted it anyway because they needed it at the time and because it proved the basis for what is now a long standing alliance between the two countries, the whole world having recognized the reality of Germany having overcome its past through acts such as this. Now we are in the midst of a new round of talks about reparations to African Americans for slavery. The difference here is that there are no actual survivors to whom to write checks and that the problems of African Americans in current American society are not of the sort that are solved by writing checks, even if lawyers are willing to monetize every damage. How much to a sixth generation survivor? How much to a ghetto crack addict? How much to the institutions, like education and health, that would help alleviate black poverty? Let us parse this question more carefully before arriving at a conclusion.

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Are Ambrose Bierce Stories Stories?

It is very difficult to figure out what makes a narrative, which is the telling of a sequence of events, into a story, which is a narrative shaped well enough to have a development and a point. Chronicles or lists of successive kings is a narrative that can become a story when filled out with anecdotes and contrasts. The best description of what a story is remains the one provided by Aristotle, who said that a story has a beginning, a middle and an end, but that is unsatisfactory as a definition because it doesn’t tell what are the minimum criteria for any of those three elements. Try to construct a minimal story and you wind up nowhere. Is the following sentence a story: “A robin fell out of a tree and died”? The robin in the tree was the beginning, otherwise known as the setting; falling out of the tree was the middle or the event of the story; and the robin’s death was the outcome caused by or juxtaposed with the event, and so the end of the story. But it is not much of a story. There is no point to it, no conflict, no twist whereby the middle and the end play off against the setting and one another. “Hamlet” is a story because a prince undertakes to overthrow a king and is foiled in his attempt perhaps because of circumstances and perhaps because of his own misgivings about himself, his setting, and his antagonists, about who is a friend and who is a foe. Now that is quite a story. Perhaps one way to deal with the question of what a story is is to look at a well respected writer who barely if at all writes stories that qualify as stories. Ambrose Bierce was a very popular writer during the Nineteenth Century, though little read now, except for his not quite story “Incident at Owl Creek” of which I will not give away the punchline because that is all there is to making it a story. Bierce was very good at sentences and had wit, and that is what carries him through, but are his stories stories or are they merely sketches, descriptions, that don’t add up to being any more than that? Let’s see.

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The Fifties

Cultural commentators try to define the culture of a decade by finding themes that distinguish it from the decade before and the decade after, and so are distracted from taking note of the long term trends that develop across decades. So the Seventies are the era of Disco and high heel shoes for men and John Travolta in “Saturday Night Fever”, that different from the more radical Sixties, or the computer revolution of the Eighties. As such, labelling decades by their themes is an exercise in nostalgia: a way to recall somewhat faded memories of what it was like to go to your Senior Prom. It might be better to label decades by those who occupied high office. The Nineties were the Clinton Years, and that meant both temporizing social policy and dealing with Monica Lewinsky and moving the boundaries of Europe to the Russian border. But the usefulness of giving themes to decades is that it allows the commentator to see the decade as negating what had come before. The Great Depression of the Thirties abolished the Flapper Era, even if major union organizing, such as in the garment industries, had gone on during the Twenties; the Forties banished the Great Depression, the United States winning a great war and entering a period of unparalleled prosperity, even though that decade saw only the start of the movement to get rid of Jim Crow. Sometimes this labelling process can mean thinking one decade reverses the themes of the previous decade, and that can be very misleading, as I think is the case when the Sixties is seen as setting right everything that was wrong about the Fifties, that much maligned decade that came before the revolutionary era of the Sixties. I went to high school and college during the Fifties, and so I want to set the record straight.

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Existentialism: An Adolescent Hangup

I recently attended a session of a book club whose members are well educated doctors who read everything from Thomas Mann to recent ethnicity centered novels. The book up for discussion was Sarah Bakewell’s “At the Existentialist Cafe”, which tries to pull off the neat trick of being a non-academic history of existentialism. The book focuses more on the lives of the Existentialists than on their various doctrines, the book providing adequate but hardly inspired summaries of those doctrines, ones that are clear enough for this intelligent audience to pick up what they were about. What became clear during the discussion of the book was that the group had no handle on, no feel for, the issues that animated the Existentialists or the solutions they proposed to deal with fundamental issues of human existence, both metaphysical and moral. The session reminded me of how dead Existentialism was as a movement; it has no appeal even though it was so popular in its time, which was also the time when I was an undergraduate and much taken with it. Life Magazine, that emissary of high culture into working class life, covered coffee tables around the country with an issue showing black stockinged rail thin girls at a coffee shop in Paris parading around as Existentialists. What had been attractive about this philosophical movement that made it a cultural rage in the post-war era, a rage that died out by the Seventies? So I try to resurrect what it meant to me.

 

The Atheistic Existentialism, which is what the philosophers and intellectual historians call it, seemed to me to be a kind of liberation, though some of its roots did not seem very promising because they were about the limitlessness and priority of authority over all forms of freedom.  Soren Kierkegaard recognized the inevitability of choice as a characteristic of the human condition, even though he always opted for the choice preferred by God, the ultimate authority, as when Kierkegaard thought it right that Abraham was willing to sacrifice his son if God wanted him to. Dostoevsky recognized that the human condition produced murderers and saints and revolutionaries and the paradoxical fact that the church, established to rule by love, was also the great enforcer of morality.  

What the Atheistic Existentialists did was take God out of this description and so leave the universe raw and bare with respect both to metaphysics and morality. Jean Paul Sartre, who was the most prominent of the Atheist Existentialists, never mind his German forebearers, gave a vivid description of this point of view about metaphysics in his novel “Nausea”. He describes a tree which is shorn of its category of being a tree and so standing in front of him as this gnarled, strange object, something out of dreams and nightmares. So seeing the world truly is to appreciate the experience of objects prior to them being enclosed in their categories, and there is much to be said for this point of view because it opens up the world to a wholly fresh kind of description, in which one can luxuriate in one’s perceptiveness, so that one can feel the “isness” of being rather than just rationalize about it. Sartre’s magnum opus, “Being and Nothingness”, published in 1938, the same year as “Nausea”, confronts us with a sense of the chasm, the void, of emptiness that precedes the filling up of that void with shape and choice and events. St. Augustine had also wondered what the void was like before creation, but even he was not as vivid as Sartre in giving his readers a feel for the absolute negativity of that state. Most philosophers seem superficial for not invoking that preternatural realm.

 

The liberation from conventional metaphysics, the metaphysics of the already created world of species and categories, also applies to morality, which is also no longer bound by the laws and maxims that guide most of human behavior. Sartre wrote an influential essay in the late Forties entitled “Existentialism is a Humanism” in which he cited his advice to a young man considering joining the Resistance who was worried about who would care for his elderly mother. Sartre said the young man should make the choice and that then the reasons for it would come into focus. You choose first and moralize later. This seemed very brave, launching each of us into a tragic drama every time a significant choice was made, each of us a warrior in that every choice is right even if people disparage it. Every choice is the source of a new wisdom. Did those who betrayed their friends before the House Un American Activities Committee engage in a new form of bravery? Is the adulterer who leaves his wife more courageous than the one who tries to repair the damage already done? There is no answer because there is no moral standard against which to measure the behavior. We have all gone beyond good and evil, just as Nietzsche predicted would happen.

 

But to engage in Sartre’s rhapsody is to beg the question. Is the young man, in that moment of decision, envisioning his mother’s aged face? Or is he contemplating a future in which he might be captured, tortured, and then put to death? Morality is made by consulting the past and the future, not just the knife edge of the present moment. A decision, whether impulsive or not, reflects on whether it is consistent or inconsistent with a person’s past character or what kind of person he or she wants to be. Wherever moral categories come from, whether they are found through faith in God or extrapolated from the nature of human interaction, one uses them. And the same is true of existence itself. To borrow Spinoza’s distinction, there is the world of ideas and there is the world of extension. Both are real, in their fashion, and you can’t do without either of them. To see a tree is to see the form of the tree as well as its content, its matter. To deny that is merely rhetorical.

 

And, indeed, Sartre, in the long run, proved longer on rhetoric than on a consistent standard of analysis. He became a Stalinist in the Sixties so as to pick sides between the Anglo American and the Soviet world. He said in 1960 in “Critique of Dialectical Reason” (which I did not read until a few years later) that he had neglected the social side of things in his earlier work. I found this, at the time, astonishing. Was he really saying that stripping down the human condition to its basic fundamentals, shorn of class and caste, down to what every person, slave and aristocrat, young and old, had in common because of their humanity, had just been a mistake? That confession on his part punctured any still remaining pleasure I took from his system because I did know something about the struggles of groups against one another and that did not invalidate a quest to find out fundamental things. I would not be taken in by Sartre’s new rhetorical turn and what shadow that cast on his prior clarity.

 

I think that what I felt was part of the general cultural rejection of Existentialism during the Sixties. There were other fish to fry. There was the Civil Rights Movement and the Peace Movement (both against the Vietnam War and the ever impending nuclear Apocalypse). These were about politics, pure and simple. The ideology that became important on the Left was that of Herbert Marcuse, whose disdain for both consumerism and Stalinism I, for my part, also found to be rhetorical. Marcuse’s was cavalier in his rejection of Bill of Rights protections for free speech and he made it seem that Madison Avenue was more a danger to America than what Michael Harrington at the time called “the invisible poor”: the whites of Appalachia and the Blacks of the urban ghettos and the Deep South. I was a Franklin Roosevelt New Dealer, which is something I still remain. Bah and humbug to those who do not want to fashion programs to help the poor and other downtrodden. And as for metaphysics? All its problems are reducible to those of social structure, whose character can be read in Shakespeare and Jane Austen and in sociologists too numerous to mention. Existentialism, in a word, is an adolescent hangup.

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Foundation Stories

Every modern nation has a foundation story, based in history and social structure as well as in fable, that is used to explain the origins of that particular nation and thereby their distinctiveness. Foundation stories, varied as they are, are cultural creations based on historical and social structural circumstances, often tell something very true and abiding about a society--but not always, as we shall see in the case of Australia.

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Blame

Everybody blames everybody for everything. Lovers blame one another when they break up; insurance companies affix blame so as to determine how much they will have to lay out; tradesmen are blamed for not having fixed the air conditioner properly. Presidents get blamed if the economy tanks. When something goes wrong, someone gets blamed. Doing so goes back to the Old Testament, but the New Testament was particularly good at making blame incapacitating. We are all to be blamed for everything because we inherited Original Sin from the fact that Adam and Eve disobeyed God and ate from the Tree of Knowledge. Ever since, all we can do is atone for that, first by accepting Jesus as our savior and then by beating our chests to proclaim our shortcomings as people. So blame eats at us. Is there any way to be rid of it?

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Democratic Institutions

Three institutional problems of representative democracies.

Max Weber in his classic essay of 1919, “Politics as a Vocation”, identified one of the problems that crop up in the cluster of institutions that make up representative democracy. He was concerned about the outlook of politicians who hold office in a democratic legislature, Germany having had a representative legislature ever since the establishment of the Second Reich in 1870, even if controlled only domestic policy and not foreign policy. Weber said that there were professional and amateur politicians. What he meant by that were that professional politicians wanted to remain in office and so were used to the give and take of legislative negotiations while amateur politicians were interested in their causes and so stood by their principles for however long they were in office. Weber clearly preferred the professionals and would see no reason to change his mind if he could see American politics today: the Tea Party and Freedom Caucus stalwarts more interested in their principles than what is actually accomplished, confident that their base will re-elect them for their principles alone. Senator McCain was invoking the Weber distinction yesterday when he said that there was a conflict between passion and reason, meaning by that that the passionate advocates of repeal and maybe not replace Obamacare were responding to their principles, their sentiments, rather than to doing something reasonable and workable. There are other difficulties in representative democracy that have become clear since Weber and that can also be illustrated with current political events.

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Immigrant Rage

A standard psychological theory of rage and anger is that it is a response to frustration at having been denied something that is very important to well being. The rage of Achilles arose because he had been denied his trophy, Brisias, which was an insult to him as a warrior, and so he raged and sulked in his tent, and the outcome of that classic legend was that his best friend was killed in battle. Rage leads to bad things and so we should do something to deal with its causes. Freud, of course, had a very different view of the matter. What happened to people when they did not get what they felt entitled to because they are drawn to it is that they became fearful of those who were enforcing the frustration, and so they turn upon themselves rather than lash out at people. Let us try to sort out the dynamics of rage by looking at both fictional and real life, large scale examples of the phenomenon: what happens to immigrants when they come to this country.

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Political Update

My prediction of a few months ago that nothing much was going to happen in Washington until Mueller released his report is holding up however much cable news and national newspapers continue to press the stories of Congressional attempts at legislation and the Russia scandal. You can demonstrate the fact that nothing is happening by consulting the local tabloids. They have pushed those stories off the front page. The Daily News today had on its front page O. J. Simpson’s bail hearing, which is soon to come up. Now that is a blast from the past. But there is still the need to clear out the underbrush created by cable news and national newspapers.My prediction of a few months ago that nothing much was going to happen in Washington until Mueller released his report is holding up however much cable news and national newspapers continue to press the stories of Congressional attempts at legislation and the Russia scandal. You can the true fact that nothing is happening because the local tabloids have pushed those stories off the front page. The Daily News today had on its front page O. J. Simpson’s bail hearing, which is soon to come up. Now that is a blast from the past. But there is still the need to clear out the underbrush created by cable news and national newspapers.

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Gunk Literature

Literature is wonderful even when it does not nearly qualify as literature, at least according to the standards of most literary critics and most viewers, playgoers, or readers. But even then it can be gripping and so one has to turn to that great scientist of criticism, Aristotle, putting aside judgment so as to establish what is going on with this particular piece of junk that goes through the moves of being a narrative and so has to be understood as such, according to the elements of narrative first so elegantly laid out by Aristotle, who is the first and best of the Formalist critics, meaning by that the one who describes the mechanics through which a piece of literature or potential piece of literature creates its effects. I want to use as a case study a television series, “Grey's Anatomy”, which I have been binge watching over the past three days. I have clocked over fifty episodes, which means over 33 hours of viewing, which is enough time in which to read half a dozen major Shakespearean plays, though those are so taxing that one would have to slow down rather than switch to the next episode of an evening soap opera as quickly as the prior one ends. You have to concentrate more to get Shakespeare’s plot much less the complexity of the emotions he is depicting. I have gone through the binge process with other series. I watched what may well be the best television series ever, “The West Wing”, episode by episode, which means less than an hour a week, when it first came out, and then, years later, when discs became available, i watched the whole thing through, all six years of it, and thought it better than ever, its last season a spectacular prediction of a President who was a man of color running against a McCain type. But “Grey’s Anatomy” doesn’t come even close to that standard, and so I have to inquire carefully about what makes it gripping by coming up with Aristotle-like categories.

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First World Colonialism & Cultural Rebellion

We continue to understand colonialism in a nineteenth century way. We imagine it as economically advanced European Countries and the United States exerting economic, military, social and cultural influence over peoples in Latin America and Africa who are intimidated by the rifles and the religion of the dominating country, that applying even to China, which had been in decline, though no one knew how badly until their defeat in the Opium War which opened them up to granting even more foreign concessions. The economically advanced countries could think of themselves as carrying out the White Man’s Burden of bringing civilization to places whose own cultures and economies were backward or had deteriorated to the point that they could no longer be responsible for their own welfare. Ex-colonies are still in the process of getting over the time they were occupied by developing economies that allow for them to be independant and build a culture which produces a literature that looks to themselves rather than, let us say, to English models. But that is not what colonialism meant before the Nineteenth Century. The Low Countries, in the Fifteenth Century, became an appendage of Spain through dynastic inheritance, but when the new government arrived to take over, the Spaniards marvelled at the material wealth of the Lowlanders. Spain might occupy the land but the people did not need Spain’s culture or economic support. The same could be said of that other about to become new nation, the English colonies on the east coast of North America. Let us illustrate that fact and spell out its consequences.

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The Damon & Pythias Paradox

The ancient story goes like this: Damon and Pythias are good friends. Pythias is sentenced to death. Damon volunteers to stand in his place while Pythias goes off to say goodbye to his family. Damon is about to be executed when Pythias returns to honor his promise. The king is so impressed that he frees both of them. The story is used as an illustration of the moral virtue of friendship. People are willing to give up their lives for a friend and friends are to be trusted even if it means they are putting their own lives in danger. Rather than search for moral meaning, however, let us look at the structural situation of the two friends in the story, what is implied about being a voluntary hostage, and what that says, if generalized, about a structural feature of social life that is ubiquitous, to wit, that people are always incrementally putting themselves into more and more threatening situations because to do so is part and parcel of taking on any number of personal and organizational roles, such as being a soldier or a doctor or even just a friend.

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"Words & Music"

“Words and Music” is an MGM musical of 1948 that chronicles the lives of the composer Richard Rodgers and his lyricist Lorenz Hart from when they met to when Hart died in 1943. It is one of a series of films, biopics, that depicted American popular composers, partly in order to provide the occasion for elaborate production numbers, hang whether they got the biography straight. Each of these borrowed from the others and altered the biography to make it more acceptable. George Gershwin’s 1945 biography “Rhapsody in Blue” provided him with a girlfriend who it was never clear why he did not marry her, when, in truth, he had many girl friends. Gershwin’s movie also provides the ending for the Rodgers and Hart biopic. A lead character dies, and you go through an elaborate death scene, Mickey Rooney, as Hart, dying as many times as Wagner’s Isolde. “Words and Music” also borrows the idea of using a post death gala as a way to sum up the accomplishments of the fallen musician, just as had happened with Oscar Levant playing “Rhapsody in Blue” at a concert soon after Gershwin’s death. The Jerome Kern biopic, “Till the Clouds Roll By”, made in 1946, is not so fortunate in its ending because its hero was not yet dead and so the movie had to settle for a long series of production numbers featuring any number of MGM stars singing Kern’s greatest hits, though the picture shoe horns in at the beginning a highly abbreviated version of “Show Boat”, Kern’s masterpiece, his signature musical, and the climax of the musical tribute to Kern is Frank Sinatra, wearing a double breasted cream tuxedo, singing “Ole Man River” in front of a full orchestra. The Cole Porter biopic “Night and Day”, also from 1946, does not allude to his homosexuality, but also has memorable production numbers and “Words and Music” does not allude to the fact that the cause of Hart’s discomfort in the world may have been that he was a closet homosexual rather than just subject to headaches that come from nowhere.  

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Catskills Vacations: Cultural Rituals

The men would arrive at the bungalow colony in the Catskills every Friday night to spend the weekends with their families. They would take over the pool, and expect a big dinner, and would entertain one another with stories about how difficult the traffic had been, and whether it would be better to leave late Sunday night or early Monday morning so that they might most easily get back to their jobs in the garment district or the post office.

After dinner, the men congregated on the lawn again and talked candidly, or so it seemed to an eavesdropping teenager, about growing up in the Depression, and the paths not taken. The furrier had trained to be a lawyer; the civil servant took an examination that would settle his life just because some friends were taking it. The wives sat on the arms of the patio chairs in skirts and sweaters listening attentively before going off to put the children to bed. The men would stay up longer, exchanging smutty stories and confidences about their bosses before joining their wives and their sleeping children in the little cottages that surrounded the central lawn.

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Trump Rebuffed?

This might seem a good time to catch up on politics given my prediction of a few months ago that not much was going to happen, that politics were frozen, until Mueller came up with his report and that then all hell might break loose because it seems unlikely that there will be no finding that none of the principal figures were involved in collusion with the Russians even if the President is not guilty of an impeachable offense. This is a good time because the withdrawal by Mitch McConnell of the Obamacare repeal and replace bill might seem to mark where finally Trump’s bluster has met a reality check. But that is not the case, even if people have been looking for just that sort of comeuppance.

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Christian Compassion

“The Stone” is a column run in the New York Times that asks professional philosophers to contribute to the continuing cultural discourse. The June 19th column was “Is Your God Dead?”. It was written by George Yancy, a Professor of Philosophy at Emory University who wanted to make the point that the essence of the three great monotheistic religions was the emotion of compassion as that was recognized by Christians like himself who avert their gaze from the homeless and the destitute and therefore show themselves to be failed Christians in that they have not lived up to their religion. Commenters on the article said that atheists as well as followers of religion can appreciate the centrality of compassion, which is a point well taken if religion is reduced to the evocation of one or another of the human emotions that are available to all people rather than an esoteric emotion, such as faith, which is available only to the faithful. I want to make a more radical point, which is that compassion is, as moral virtues go, a relatively minor one because it largely has to do with people you don’t know who don’t impact on your life while other emotions and virtues do have a significant impact on your life.

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Local Culture

Samuel Johnson went to what was then and may become again the Near Abroad of Scotland and the Outer Hebrides to discover what a people who were familiar yet distinctive enough to have a distinct culture and social structure were like. He captured the religious quality of the moonlight and the castles as well as the economic opportunities available in that then “underdeveloped” economy. He did not have to travel to the South Sea islands or North America to discover the exotic; it was much closer to home than most travel writers imagined. I have in the past few months begun to understand another Near Abroad. I have moved to Bay Ridge, Brooklyn, which is some ten miles distant from the Upper West Side of Manhattan, where I lived for so many years. Here are some observations from someone who is a traveler in that my acquaintanceship with my neighborhood is fresh and catches the superficial aspects of the thing, and so predates a time when a deeper appreciation of the place will settle in.

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The Role of Women

I do not mean to offend anyone by acknowledging this, but I am the only male I know who does not consider himself to be a Feminist. That means I do not think women have been subject to discrimination in law or in practice in the United States by and large since the end of the Second World War except in the case of abortion, which is an issue that is fraught with complexities because childbirth is one of those existential issues, one not easily comparable to any other, that just have to be managed somehow, just as is the fact that men live on average seven years less than women do, and I prefer Bill Clinton’s position that abortions should be legal, safe and rare to the view that they are just another form of birth control. I come by this position honestly in that I was told by my mother that she would have aborted me if she had had the courage to do so. There are not many survivors to speak up in the name of those who did not survive. The law and customs against abortions saved my life even as some women lost theirs because of botched kitchen table abortions and other women were saved from having a child by successful kitchen table abortions. (It can hardly be tasteless of me to mention this bit of personal information when so many women have come forward to defend abortion by pointing out that they had undergone abortions in their youth.)

Let us turn to the general issue of discrimination against women who, to make a long story short, got into medical schools and law schools in large number as soon as they requested something more than token representation. There is a more upbeat account of the advancement of the equality of women over the past one hundred years than is usually provided.

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